Similar stories from dozens of women soon began pouring into Redd’s direct message box, she says. The Buttertones. Their stories about what happened in and around the Burger scene illuminate a broader culture of sexual abuse in Southern California’s underground music world that — more than three years into the reckoning brought by the #metoo movement — has remained largely in the shadows. I used my power and influence to take advantage of young women and teenage girls,” he wrote in a statement published by Pitchfork; and other, smaller bands, such as L.A.'s Mystic Braves, which released a cassette through Burger in collaboration with Lolipop Records, temporarily disbanded in late July after acknowledging that harm had been done by certain members. Casey Redd was 14 when she began going to shows put on by popular indie-rock label Burger Records. Sean Redman speaking in an interview with “Ones To Watch” on the underlying inspiration behind “Fade Away Gently”: “This is a coming-of-age song that focuses on an individual’s journey. It opened a record shop in Fullerton in 2009 and Bohrman and Rickard lived there, washing their hair under a spigot in the alley and running the label out of the back. She said Redman, aged 20, had sex with her when she was 14 (although he thought she was 16), refused to use protection, and gave her HPV. “I just wanted to be friends with other musicians,” says McDonough. Langland and Alexander eventually had a sexual relationship when he was 30 and she was 18. They would meet and hook up, and Schmalfeld would avoid being seen with Kourkos in public, she says. Alexander, when reached, declined to comment for the story. Sean Redman, 26, bassist, listed his personal taste to sway towards bands like Nirvana and The Gorillaz. Jennifer Lopez’s social media challenge for the 20th anniversary of her hit “Love Don’t Cost a Thing” has confused some fans and backfired with others. Listen free to The Buttertones – Try Hard Fool. Jennifer Lopez’s new social media challenge has gone viral — for the wrong reasons. Modesto 'Cobi' Cobiån, Sean Redman, and vocalist/guitarist Richard Araiza have been playing together for seven years now, having first come together for a self-titled debut in 2013; along with London Guzman on sax and keys, they've come to establish themselves as … Charlotte Froom, 34, was once the bassist of the L.A.-based, Geffen-signed, all-female band The Like, and is now making music under the name Spiders & Hearts, which is signed to popular indie label Narnack Records. Schmalfeld declined to comment for this article. Lydia Night, the singer of The Regrettes, accused SWMRS drummer Joey Armstrong (son of Green Day’s Billie Joe Armstrong) of sexual misconduct and coercion, beginning when she was 16 and Armstrong was 22. Sean Redman, 26, bassist, listed his personal taste to sway towards bands like Nirvana and The Gorillaz. The Buttertones quickly cut ties with Redman, posting a statement on Instagram that read, “We do not condone Sean’s behavior and he is no longer a member of The Buttertones… Afterward, Redd alleges, Salina messaged her often, asking for nudes and sexual photos. Bohrman capped his announcement of the company’s dissolution to a Pitchfork reporter with a Porky Pig GIF: “That’s all folks.”. Redd’s family had a troubled history with drugs and addiction, and she came to trust Salina. McDonough remembers an instance where she fell asleep alongside friends on the floor of the house where she was staying. It felt, say many of the women who hung out there, like a high-school clubhouse. The Buttertones quickly cut ties with Redman, posting a statement on Instagram that read, “We do not condone Sean’s behavior and he is no longer a member of The Buttertones.” … Singer Brooks Nielsen issued an apology and two members left the band, although the Growlers recently listed three new tour dates for 2021. THE BUTTERTONES en concert : The Buttertones est un groupe aux influences multiples et presque inclassable musicalement tellement la diversité de leurs titres est grand THE PRESS RELEASE: “Before settling in to make Jazzhound, their most extravagant, ambitious, and fully realized album to date, The Buttertones had to face the hounds of real life. SWMRS released music through a variety of labels, including Burger. She recalls experiencing various forms of harassment and emotional abuse. La semaine dernière, la chanteuse de Cherry Glazzer, Clementine Creevy, a accusé Sean Redman des Buttertones de viol et d'abus statuaire. The Buttertones are a rock band from Los Angeles, formed in 2012. According to an article from Brooklyn Vegan, LA-based post-punk band The Buttertones have been dropped from their label Innovative Leisure after bassist Sean Redman was accused of statutory rape and abuse. “Eventually he got a girlfriend and I was completely forgotten,” Kourkos says. He lost half his vision. When Kourkos was backstage at shows, she says there were usually other teenage girls. The label did not follow a traditional business model. 0 Sean Redman performing with Cherry Glazerr at Echo Park Rising in 2014 (Photo by Carl Pocket) Cherry Glazerr frontwoman Clementine Creevy has accused former bandmate Sean Redman, who went on to become bassist in the Buttertones, of statutory rape.. (Butler’s husband is also a music producer. An all-ages ethos was key to Burger’s identity. (The age of consent in California is 18.). >> https://buttertones.bandcamp.com Formés en 2011 à Hollywood avec Sean Redman (basse, auparavant dans Cherry Glazerr), Richard Araiza (guitare et chant) et Modesto ‘Cobi’ Cobiån (multi-instrumentiste et batteur), alors qu’ils étaient des marginaux du lycée (ou des ‘drinking buddies’ selon eux), les Buttertones s’apprêtent à sortir leur troisième album chez Innovative Leisure. Quelques jours avant la création du compte, le 16 juillet, Clementine Creevy du groupe Cherry Glazerr, avait parlé de son histoire sur Instagram avec un membre du groupe The Buttertones (Sean Redman), issu de la même scène garage californienne, mais signé sur un autre label local : Innovative Leisure. 0 Sean Redman performing with Cherry Glazerr at Echo Park Rising in 2014 (Photo by Carl Pocket) Cherry Glazerr frontwoman Clementine Creevy has accused former bandmate Sean Redman, who went on to become bassist in the Buttertones, of statutory rape.. Les meilleures offres pour The Buttertones - Midnight in a Moonless Dream sont sur eBay Comparez les prix et les spécificités des produits neufs et … In June, allegations began circling surrounding Sean Redman, the bassist of L.A. indie-rockers The Buttertones. The friends she came to the bar with had left and she found herself alone with Rademaker. Casey Redd, Taylor Kourkos, Charlotte Froom and Emily Langland. ), “Many of these revered rock gods absolutely committed statutory rape. He was replaced by bassist Devin O'Brien in 2017. “It was a very dangerous environment.”, One fan remembered hearing the men who frequented Burger shows referring to young fans as “Prosti-tots.”. At the record shop, she says she was regularly invited into the back room and offered beer, alcohol and weed. Langland soon met a number of older fans on the scene, and made the trek to another beloved all-ages venue, the Glass House in Pomona, to see Atlanta-based garage band Black Lips, which headlined Burgerama two years in a row. The label issued a statement that read in part that it was “deeply sorry for the role Burger has played in perpetuating a culture of toxic masculinity.”, Five days after Redd’s first Lured_By_Burger_Records post, Burger folded completely, taking with it the operation’s entire digital footprint. That relationship, she wrote, was also emotionally abusive. A friend of Kourkos, who used to go to Burger shows with her and took pictures of the bands, said in a telephone interview with The Times that Kourkos told him about her relationship with Schmalfeld at the time. “I felt confused and violated,” she says, adding that it took time, reflection and therapy to come to terms with what happened to her in 2013. “I f—ed up bad. She emphasized, “I want to say with no conditionality whatsoever that THIS IS NOT ATYPICAL OF THE MUSIC SCENE.”. Asian American voice cast takes viewers on parallel journeys of recovery from loss and grief, a theme close to the filmmakers after death of screenwriter. Redd stopped posting to the account at the end of July, writing that she needed an extended period of rest and recovery. Kourkos got into a band called Audacity, which released a 7" record and a cassette through Burger. The band grew in 2015 with the addition of saxophonist and keyboardist London Guzman, and guitarist Dakota … In them, Salina apologizes and expresses remorse, writing, “I won’t ever be allowed to play music again and that is fair.” He also wrote that he didn’t think of their relationship as abusive at the time but that he now understands that it was wrong. … After releasing “Midnight in a Moonless Dream” in 2018, Cobiån suffered a medical scare involving his eye, requiring emergency surgery. The Buttertones performing "Baby Doll" at Sofar Los Angeles on October 26th, 2016. Rapper Kodak Black celebrates postprison life since ‘Trump just freed me’. Women who play music in the scene know all too well the challenges of making art in testosterone-driven environments where they have to constantly be on the look-out for situations that could quickly become risky, says May McDonough, 35, who now works as a film composer, but fronted the garage-punk band The May Company. It arrives after a tumultuous couple of years for Richard Araiza, Sean Redman, Modesto ‘Cobi’ Cobiån and London Guzman. All rights reserved. 'http':'https';if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+'://platform.twitter.com/widgets.js';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs'); © mxdwn.com 2001 - 2020. When they got to her neighborhood, he wouldn’t let her out of the car in front of her apartment; instead, Froom says, he continued to drive around for almost 45 minutes until he could find street parking. A tough year — and tough film themes — bring beauty by way of the music. The Buttertones are a rock band formed in Los Angeles. The store was filled with buttons (“I’m a Burger Girl,” was one), stickers and posters, many featuring vintage-inspired, punk-themed cartoons. Froom’s story mirrors stories told by other women who at first blamed themselves for the sexual abuse inflicted by men they trusted, dated or otherwise befriended. She says he made comments about how well-developed and mature she was for her age and told her they had to keep their relationship a secret. He was one of the very few adults I felt seen by.”. The Buttertones arrive with Jazzhound, their most extravagant, ambitious, and fully realized album to date. “He knew the trauma that I carried and ... my age and vulnerability. “It felt like a magical time that turned dark very quickly.”. To her surprise, he said yes. She’s still in shock that a once-thriving label — a label that used to play such a large role in her life — completely unraveled in less than a week, thanks to an Instagram page that gave voice to scores of women who had remained silent for too long. Young fans, including those in high school, often mingled with older fans and musicians. And it’s not clear that management was paying attention to the exploitative sexual dynamics of the scene Burger fostered. “I’m so proud of myself and how far I’ve come,” rapper Kodak Black says on “Last Day In,” his first new song since Trump commuted his federal prison sentence. Armstrong posted an apology on Instagram, adding that he didn’t agree with some of the things Night said about him, but that, “it’s important that she be allowed to say them and that she be supported for speaking out.”. Redd is now 24 years old. Burger also reissued four of the band’s albums on cassette. Last week, Cherry Glazzer frontwoman Clementine Creevy accused The Buttertones’ Sean Redman of statutory rape and abuse. Ce n’est pa un groupe de garage rock comme … Still, Burger’s output was prolific. They founded Burger Records in 2007. Read The Buttertones's bio and find out more about The Buttertones's songs, albums, and chart history. The Times was unable to reach Redman for comment. burger records allegations. A 2014 Los Angeles Times article about the band … by | Jan 21, 2021 | Uncategorized | Jan 21, 2021 | Uncategorized But I don’t completely know why. The shop soon became a popular gathering spot for music fans. … Pourquoi un saxophone dans un groupe de garage rock, me direz-vous ? Et là, c’est le drame. “They get to choose who plays the shows and which girl gets to be in a band. Salina was working as a mental-health counselor in Portland specializing in addiction. I wasn’t able to see things for what they really were,” she says. The Buttertones have shared “Fade Away Gently” the second track off of the band’s upcoming Jazzhound LP, out April 10th Via Innovative Leisure. A number of other anonymously run accounts cropped up, including empowerment.la, which supports victims of abuse in the region’s music scene. She says he would text that he fantasized about her and that he liked being with submissive girls because he enjoyed holding the power in his relationships. In January 2018, Cherry Glazerr announced that Sasami Ashworth had left the band in order to concentrate on her own musical projects. “In their marketing, they described themselves as perma-teens,” recalls Redd of Burger Records. After that, they developed a closer relationship that she alleges soon turned sexual. When Love Cop’s Salina first reached out to Redd, she was 17. Many women interviewed by The Times described rampant drug and alcohol use, even at shows where alcohol was not for sale. In a lengthy message posted … “The only thing I’m trying to get out of this is accountability from him,” Langland said. That sounds like a nightmare, and that’s not why I got into music.”. After posting photos she took at a show, the band’s lead singer, Matt Schmalfeld, flirted with her on social media. It was her first time driving on the freeway when she crossed county lines from her hometown of Corona to Fullerton where she says their first sexual encounter took place. In the post, Creevy alleges that she and Redman began a sexual relationship after meeting at a music workshop in Hollywood when Redman was 20 years old and she was just 14. Earlier in the evening, Froom said, “I was saying no to everything,” recalling how she repeatedly had asked Rademaker to drop her off and to leave. It just reached out to bands it loved and released mostly limited-edition runs of cassette tapes, leaving it to other labels to court the musicians it championed. Though the scene is brimming with young bands, few are as exciting as The Buttertones, an energetic five-piece consisting of Richard Araiza (vocals/guitar), Sean Redman (bass), Modesto Cobian (drums), Dakota Lee Boettcher (guitar), and London Guzman (saxophone). Redd saw Burger’s action as silencing victims, so she created the Lured_By_Burger_Records Instagram page. “I wasn’t expecting that at all, for them to just completely remove all presence from the internet,” Redd says. It’s unusual for a label to release music in such abundance. Three years later, when Redd was 17, she says Phil Salina, the then-29-year-old singer of the Portland-based goth-pop duo Love Cop, had sex with her in the back seat of her car. For her part, Casey Redd is heartened by the sisterhood and support she found after creating Lured_By_Burger_Records, and she hopes this reckoning will lead to lasting change in the scene. Lee Rickard, left, and Sean Bohrman. In one text that Langland shared with The Times, Alexander wrote that he wanted to try to have sex with her, using a more vulgar phrase. Redd stopped going to Burger shows when she was 18, but at that point she says she already knew several other underage teenage girls who had been abused by adult men in the scene. A number of women spoke on the record; others chose to remain anonymous, either because they feared reprisal or had already experienced it after posting their experiences online. McDonough had music released on Burger compilations and played many shows with Burger bands. For the most part, she ignored him but sometimes she engaged with him, not fully understanding how inappropriate the situation was. He told her to meet him at the far corner of the parking lot at the Burger Records store in Fullerton, she says, then instructed her to drive a few blocks away to a darkened neighborhood where she alleges the statutory rape took place. The page quickly accumulated thousands of followers, spurring online outrage, national media coverage and public apologies from many of the accused musicians. The Fullerton store was painted a bright key-lime green and featured a highly cultivated sense of graphic design characterized by a zany, cut ‘n’ paste punk aesthetic in bold primary colors (Bohrman minored in graphic design and cranked out the labels’ merch). She said “no” three times, enough that she feared the situation could turn violent. It didn’t sign bands or negotiate contracts. Select Page. Froom says the incident happened after Rademaker drove her home from Little Joy, an Echo Park dive bar popular with musicians and artists in the area. In January 2018, Cherry Glazerr announced that Sasami Ashworth had left the band in order to concentrate on her own musical projects. Alexander, who was 29 at the time, soon began texting sexually inappropriate messages to Langland, she claims. Fans in clubs, other women say, are simply on their own. In mid-2016, and after participating in the recording of Apocalipstick, Redman departed and became a full-time member of his other band The Buttertones. Except it wasn’t. !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0],p=/^http:/.test(d.location)? Les Buttertones. Emily Langland began going to shows at the Smell, a cavernous, graffiti-laden, all-ages club housed in an old concrete storefront in downtown L.A.’s Historic Core, when she was in high school. In film and television production, some safeguards have been erected in recent years to protect vulnerable artists including the use of intimacy coordinators on set and new channels for reporting abuse. Singer and guitarist Richard Araiza, 25, was quick to mention “The King” Elvis Presley as one of his favorites along with fellow guitarist Dakota Lee, 24, who cites The Clash as one of his personal musical influences. Clementine Creevy, the leader of Cherry Glazerr, posted a statement last week sharing her story about Sean Redman, the bassist of the Buttertones. And not for the legions of girls and women of all ages suddenly confronting feelings about how all of this seemed eerily similar to their own experiences in the underground music scene, Burger-related or not. Burger’s reputation was burnished internationally in 2014 when fashion design house Yves Saint Laurent featured the label’s music in Paris runway shows. Its current members include Richard Araiza, Sean Redman, Modesto Cobian, London Guzman, and Grant … read more View full artist profile Redman was a member of Cherry Glazerr from 2013 to 2016 before leaving to focus on his role in The Buttertones. When she was 22, Froom alleges she was sexually assaulted by Darren Rademaker, the vocalist and guitarist of L.A.-based psych-pop band The Tyde, which released a cassette titled “Darren 4” through Burger Records in 2016, and played several Burgerama festivals before that. That fact became painfully clear during the summer on July 15 when Clementine Creevy, the frontwoman of Cherry Glazerr, which released its debut album through Burger, posted a statement on Instagram accusing Sean Redman, the bass player of another Burger-affiliated band called the Buttertones, of starting a sexual relationship with her when she was 14 and he was 20. It was the year 2011 and Redman, guitarist/singer Richard Araiza and drummer Modesto ‘Cobi’ Cobiån bonded over their shared affinity for mid-20th century music. As the allegations emerged, the label issued a statement that read in part: “We extend our deepest apologies to anyone who has suffered irreparable harm from any experience that occurred in the Burger and indie/DIY music scene.”. The community of outcasts that comprise much of the DIY/underground music scene, say the women and girls who belonged to it, presents itself as liberal and inclusive, but it often betrays those who need it and trust it the most. “In hindsight, it took me a lot of time to understand it wasn’t my fault,” Froom says. All of the band’s social media accounts have since been deleted. She says that over the years, not a day went by that she didn’t think about the fact that she was not alone in her experience. THE PRESS RELEASE: “Before settling in to make Jazzhound, their most extravagant, ambitious, and fully realized album to date, The Buttertones had to face the hounds of real life. The Buttertones are a five-piece rock act hailing from Los Angeles, California since 2011. The Buttertones have shared “Fade Away Gently” the second track off of the band’s upcoming Jazzhound LP, out April 10th Via Innovative Leisure. Jessica Gelt writes about arts and culture for the Los Angeles Times. The concerts, featuring contemporary garage and punk bands, were often all-ages, and a swell of excited teenage girls would be in attendance. >> https://buttertones.bandcamp.com Formés en 2011 à Hollywood avec Sean Redman (basse, auparavant dans Cherry Glazerr), Richard Araiza (guitare et chant) et Modesto ‘Cobi’ Cobiån (multi-instrumentiste et batteur), alors qu’ils étaient des marginaux du lycée (ou des ‘drinking buddies’ selon eux), les Buttertones s’apprêtent à sortir leur troisième album chez Innovative Leisure. Melancholy and full of regret but acceptance that we’re in the midst of life and we need to be open to change. She recalls that men in the bands would say sexually derogatory things about women in front of her and that one band even encouraged female fans to physically fight in order to determine who would be taken home by the band that night. Burger Records was founded in 2007 by Bohrman and Rickard, in part to release music from their own band at the time, Thee Makeout Party. It was that shame, she says, that kept her from filing a police report or otherwise going public with her experience. She’s not sure what comes next. “They were literally luring children backstage, at the shop, to their homes, and in their cars,” says Kourkos. The Buttertones began in bassist Sean Redman’s shabby Hollywood apartment. Months later, Salina came to Orange County to play a Burger show and invited Redd. The garage-rock musician Nobunny (Justin Champlin), who released numerous albums on Burger, admitted to a history of sexual misconduct and announced that he would no longer play music. Salina did not respond to multiple requests for comment by The Times. Within a week, the label ceased operations completely, prompting a long-overdue reckoning about the prevalence of sexual abuse in Southern California’s underground/DIY music scene. ‘Over the Moon’ turns Chinese legend into a musical animated feature. “I didn’t feel I had any control of the situation.”, “I was just like a dead body,” she said. Redman had been a member of Cherry Glazerr from 2013 to 2016, and left to focus on the Buttertones. Redman was a member of Cherry Glazerr from 2013 to 2016 when he left to focus on his other group The Buttertones, with Creevy, now 23, telling the … The Buttertones were formed in 2011 as a bedroom project for singer/guitarist Richard Araiza, drummer Modesto … (Mackenzie Reiss/Orange County Register/SCNG). Dans un long message posté sur son Instagram, Creevy a déclaré que Redman «avait commencé une relation avec moi quand j'avais 14 ans et 20 ans». Rademaker, she says, was married at the time, and Froom knew his wife, which only added to her anxiety and sense of shame afterward. It’s easy for them to maintain power.”. On the track Sean Redman explains, “This is a coming-of-age song that focuses on an individual’s journey. As scrutiny of Burger intensified, other women spoke out and bands began to fall. Les meilleures offres pour The Buttertones - Midnight in a Moonless Dream sont sur eBay Comparez les prix et les spécificités des produits neufs et d'occasion Pleins d'articles en livraison gratuite! Burger championed catchy, homemade power-pop, surf-rock and bubblegum punk. Their relationship continued for a year. The Buttertones do great, unique impressions of The Cramps, The Clash and The Beach Boys, injecting spaghetti western, garage rock and even a doo-wop feeling into a dark and unusual listen. If you’re a rock ‘n’ roller, if you’re creative, whatever impulse you have is supposed to be indulged.”. 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